Showing posts with label music blog. Show all posts
Showing posts with label music blog. Show all posts

Tuesday, April 12, 2011

When a music review rocks the boat too much!


So I learned today that because of an unhappy publicist, my review of “pop sensation” Jay Aura’s latest EP, iParty was removed from a music website for which I freelance. I understand that the editors have a business to run and sometimes labels need to be placated in order to keep the house in order. Unfortunately, this is one occasion where a critic’s opinion (and I use the term critic loosely, as I honestly see myself more as a fan of music openly discussing what I like and don’t like in review form) is superseded by the whim of an “artist” who simply cannot take criticism.

Allow me to add a bit of context; this website to which I contribute largely makes its bread & butter from content in the indie, alternative, esoteric, and hard rock genres. So when something like this comes across my desk, it screams of someone simply fishing for free advertising, as he obviously has no prior investment with the site; otherwise, he'd KNOW that this type of "music" is not central to the site's readership.

The site's business model is also fairly simple, and predominantly beneficial to the "artist" - you pay for an ad, and you get a guaranteed review of your albums (which really is great, because it serves as two adverts for the price of one, and the choice of reviewing is no longer left to the whim of the editors/contributors - it MUST be reviewed.) What makes this particular situation even more interesting is that I am usually called upon as the "last resort" reviewer, meaning that when the editors simply cannot convince any of their other contributors to give a decent (or honest) assessment of a recording by the ad deadline, it typically falls to me to churn one out. So I'd actually love to be a fly on the wall when the publicist complains about the lack of review for this album on the site and the editors have to explain to them that there was no one on the staff who actually liked the album, and the one review that was posted, you asked to have removed.

I was going to just let it die and move on, but there was a nagging twinge in the back of my mind telling me not to allow the marketing companies to dictate personal opinions. So, without further ado, here is that review in its unedited entirety, with a short addendum as a closer, for your viewing enjoyment. For what are blogs for if not to bring some form of written pleasure?


JAY AURA – iParty (Island / Def Jam)

Throwing caution and any semblance of musical integrity to the wind, Beverly Hills “bad boy” Jay Aura somehow managed to collect some money (though he apparently turned down modeling gigs and an artist development deal), found a studio that would tolerate him (or paid the Ark Music Factory to write some “songs” for him, a la the unfortunate Internet sensation Rebecca Black). This is the most soulless, superficial excuse for an album/EP I have ever heard.

Kicking off with a “song” called “I Won’t Remember,” which is a celebration of the fine art of binge drinking on the town, I can only guess that this “artist” is the ill-fated progeny of the Jersey Shore generation – where talent, intelligence and skill are superseded by over-inflated attitude, extreme self-fulfillment, and the burning desire to acquire wealth while doing the least amount of real work.

Lyrically, Aura wields the English language as deftly as a third-grader. For example, rather than using common vernacular like “taxi cab,” he prefers to call it a “taxi car,” for the sole purpose of rhyming it with “bar” in the next line.

And like the aforementioned Black, his voice is processed and Auto-tuned to the point where on each track, he sounds like he is “singing” underwater. Even on tracks where he speaks rather than “sings,” his voice is altered like he is in the Witness Protection Program or hiding behind some superhero disguise. Go talk to some fish, Aquaman!

And if you are looking for any inspiration from the music itself, well, you can forget that, too, as the guy’s backing track is little more than regurgitated mid-1990’s house music. If you have a taste for uninspired tripe which can only serve as the soundtrack to getting drunk on a dance floor, then by all means, enjoy! This reviewer has zero tolerance for someone who dares consider himself an “artist,” yet has such vehement ignorance to what music is and the creative process.

Saddest of all, based on the evidence produced, Jay Aura is most likely one of those ego-maniacal simpletons who doesn’t care if he is being criticized or praised, he is simply satisfied that his name is being uttered at all. And simply being assigned to review this abomination, I am inadvertently feeding the beast.

Addendum:
If you feel you absolutely must listen to this guy’s aural nonsense, by all means, listen to it for free at his MySpace page, and do not give him the satisfaction of paying for it at iTunes! Keep this drivel underground, where it can die a harmless death.

Was I too harsh on the guy? Maybe; but between the godawful music and the mega-hype text and photos on the guys website, this guy really needed to be taken down a notch. Even if only 10 people ever see this post, it at least gave me an outlet to vent a particular frustration.

Friday, March 6, 2009

Doing the Friday Shuffle...

Someone over on Facebook started a group called "Friday Shuffle", where members are encouraged to put their iPods on a random shuffle, and jot down the first ten tracks that play. I don't exactly know why this is an attractive exercise, but for some reason, I got sucked into it.

And rather than just list the songs (showing off how extensive one's taste - or lack thereof - can be), I'm going a step further and offering a little commentary on each track. And before you ask, yes, I actually own these CDs.

If you dig it, cool. If not, hey, it's only a blog!


1. JORN - "Christine" from Worldchanger
~ One of the best voices in heavy metal. It is sad that he is widely unknown in America. He's like David Coverdale, Ronnie James Dio, and Ian Gillan all wrapped into one. The glaring difference is that he's not over 50. His work with MASTERPLAN was amazing, but his solo material always comes across as more soulful.

2. THE AMAN FOLK ORCHESTRA - "Main Title" from Subspecies soundtrack
~ We need a little cheese every now and again. That said, the Subspecies soundtrack is one of the creepiest horror soundtracks out there. It's sad that the film series never achieved any mainstream success (did ANY Charles Band flick??), otherwise this album might not be out-of-print today.

3. THE GAME - "One Night" from Doctor's Advocate
~ I think that sometimes rap music grounds me, especially the stuff that is based in reality. A lot of the stories these guys spill are quite humbling, but I can understand if it comes across as too abrasive for some people. Honestly, THE GAME can sound quite depressing at times.

4. GREEN JELLY - "Carnage Rules" from 333
~ Sometimes, in addition to cheese, we need to be downright silly, right? I don't think GREEN JELLY (JELLO) ever released a serious song, or ever could. "Carnage Rules" is one of those little ditties that blends punk and metal and makes you want to bounce around the room like a complete idiot.

5. SCAR SYMMETRY - "Seeds of Rebellion" from Symmetric In Design
~ And speaking of abrasive...I've always had a fondness for Scar Symmetry, because they remind me of what EDGE OF SANITY could have evolved into, had the band continued to exist and if Dan Swanö didn't have a penchant for 70s folk rock. SCAR SYMMETRY is also among the very few bands that can combine death growls and silky clean vocals in the same song and make it sound perfectly natural.

6. JAMES HORNER - "Genesis Countdown" from Star Trek II: The Wrath of Khan soundtrack
~ Yes, I'm a bit of a nerd when it comes to movies, and like those fellows in Free Enterprise, I hold Wrath of Khan in very high regards. And it's not just the movie itself that makes the film great. I feel that Horner really peaked with this one, and although he's done some great things since 1982 (Aliens, Willow, Clear and Present Danger, Apocalypto), I will always see this as his crowning achievement. It is actually kinda sad that the very next year (1983), he would plagiarize his own work when he scored the soundtrack to Krull.

7. DURAN DURAN - "Make Me Smile (Come Up And See Me)" from The Reflex single
~Yeah, it's an obscure DD song, and a live recording at that. I don't know, there was always something about DD that intrigued me - their sense of melody, the combination of eccentric synthesizer work with incredibly underrated bass guitar work and smooth vocals. They just always sounded sincere, even if their lyrics never made any sense. I think another part of their charm is that no matter what they do, whenever I listen to them (current album excluded), I feel like a little kid again, plopped in front of the television, watching the equally confusing videos on MTV.

8. PAUL DI'ANNO - "Wrathchild" from The Classics: The Maiden Years
~ it is sad that nearly 30 years later, poor ol' Paul is still shilling his brief work with Iron Maiden. Yeah, he only appeared on 2 albums, but they were pivotal albums in the band's career. And I don't care what anyone says, no one can sing those songs with the fervor that Paul brings to them (sorry, Bruce). I guess when you are involved with a band that big, no one cares what else you do. I don't think Paul has had an album of original material released in America in over 10 years. I could be wrong, so don't quote me on it.

9. PABLO FRANCISCO - "Mentos" from Knee to the Groin
~ This guy is just hilarious. The guy could read the obituaries, and I think I would still chuckle. This is his take on how ridiculously cheerful the people in Mentos commercials are, regardless of the situation they are in. It's only a 43-second track, but it's a riot.

10. BLACKMORE'S NIGHT - "Shadow of the Moon" from Shadow of the Moon
~ And closing our set today is one of the most charming, most inventive songs by Ritchie Blackmore's (guitarist for Deep Purple and Rainbow) current musical incarnation. The combination of folky, medieval sounding music with Candice Night's Stevie Nicks-meets-Loreena McKennitt, ambient vocals make this track simply enchanting. I feel like taking a barefoot walk through a forest right now. If only it weren't 40 degrees outside...